1 Yuichi Hirako, ‘Lost in Thought 210’, 2024, Acrylic on canvas, 333.3×248.5cm, . 2 Yuichi Hirako, ‘Wooden Wood 67’, 2024, Acrylic on wood, total 23 pieces, installation dimensions variable, . 3 Yuichi Hirako, ‘Lost in Thought 207’, 2024, Acrylic on canvas, 194×162cm, .
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1 Marguerite Humeau, ‘The Disappearance of the Bird’, 2024, Knitted enamelled silver-plated copper wire, thermoformed Grilon, painted steel c, 45×45×45cm. ©the artist. Photo ©White Cube (Theo Christelis) 2 Marguerite Humeau, ‘The Twist’, 2024, Zinc-passivated steel, knitted enamelled silver-plated copper wire, thermoformed, 60×60×60cm. ©the artist. Photo ©White Cube (Theo Christelis)
“ Ұ ǰ̿. Ĺ, ٶ.” ȭƮ ť £ ԸƮ <DUST> ϱ ؼ ۰ ̼ ǰ ‘Orisons()’ ؾ Ѵ. ״ ̱ ݷζ 20 Ȳ ڿ ġϰ ȳ ߴ. ް ̷ ϴ ‘’̴. ۾ 弱 ̹ ÿ ڿ Ǵ ǰ , ҰѴ. Ư Ȧ Ǵ , dz, Ǵ ð ǥ ǰ ϴ.
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1 , ‘Illegal gold mining near Palangka Rayo’, Borneo, Indonesia, 2023. 2 ̴뼺, ‘Futuristic Archaeology’, Mongolia, 2015. 3 귣Ʈ, ‘Petero by Cliff’, Fiji, 2023. 4 ǵ Ŀ, ‘STILL(FFS) - SKY’, 2023.
湫Ʈ Ŵ Ը Ȯ 簳ߴ. ̸ < (Confession to the Earth)> ȴ. Ŭ 轼 ˷ 귣Ʈ, ؾ ǵ Ŀ, װ ؿ , ȯ Ȱ , ‘ζ Ʈ’ ѱ ۰ ̴뼺 5 ۰ ߴ. ٲ ? ۰ ϰ ð ͺ غ.
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̸Űڸƴ, ̹, ©imagazinekorea.com, ©theneighbor.co.kr